![]() ![]() The nickel transformer gives you a natural low end with smoothly enhanced high frequencies, outstanding for intimate acoustic recordings. Choose from steel, nickel, or iron output transformers to get the iconic sound of different styles of analog consoles. Switching transformers provides a subtle but significant tonal shift, allowing you to choose the right vibe for your material. You have remarkable control over the tone and vibe of your music with the Shadow Hills Industries Mastering Compressor, thanks to three switchable output transformers. Switchable output transformers for sonic variety With precise control over ratio, attack, and release, you'll be able to fine-tune the response of the Mastering Compressor to suit any program material, for any project.Įach section can be hardwire-bypassed individually, essentially giving you three exceptional methods of dynamics control in one single compressor. The discrete section utilizes a VCA design, and takes over where the optical section leaves off. Use the optical section to get your dynamic range under control, and to bring up overall level. The optical section is mostly program dependent, with just Threshold and Gain settings, and features a two-stage release time reminiscent of a famous audio leveler from the late-'60s. The Shadow Hills Industries Mastering Compressor controls your dynamics in two stages, an optical section and a discrete section. Después de unas horas de convivir con este monstruo de control, encontrará que alimenta vida y emoción a cualquier pieza musical que se le aviente.ĭual compression sections for unprecedented dynamic control Enter the Weiss Deess, available as an individual plug-in or as part of the Weiss DS1-MK3 collection.El Mastering Compressor es un sistema híbrido, con dos tipologías corriendo en paralelo: Un agresivo y ultra rápido compresor FET y un sutil y extremadamente musical opto compresor. The Weiss DS1-MK3 is the gold-standard for the world’s greatest mastering gurus, and for the Weiss Compressor/Limiter, we draw on its essence (and code-base) to bring a totally focused modern answer to the question ‘how should I deal with dynamics on my mix bus?’ Whether you’re trying to tame sibilance in a lead vocal, rein in a sharp-sounding hi-hat, or reduce harshness while mastering, a truly great de-esser is as elusive as it is essential. The name Weiss is synonymous with quality in mastering, and a truly exceptional compressor/limiter is essential to any serious mastering engineer. The Weiss EQ1 plug-in crystallizes that legacy-in software form. ![]() The EQ1’s dazzling sonic qualities combined with its flexibility as either a Minimum Phase EQ, a Linear Phase EQ, or a Dynamic EQ have made it the must-have digital mastering equalizer. ![]() There’s a reason Weiss Engineering’s EQ1 has been at the top of the heap since its release in 1996. Our plug-in is a line-by-line code port of the legendary Weiss DS1-MK3 mastering processor - the unit no serious mastering engineer can do without. Every mastering engineer’s fondest dream is about to come true. Mastering compression, limiting, and de-essing without compromise.
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